Template:American Five

From blackwiki
Jump to navigation Jump to search
Template documentation
  • "The first use of the phrase [an 'American Five'] seems to have been made by the composer John Downey in 1962, the year following Becker's death." Don C. Gillespie (1977). John Becker: Midwestern Musical Crusader, p.iii.
    • "During the early 1930s, the five composers most 'conspicuously concerned with innovation' were Ives, Ruggles, Cowell, Becker, and Wallingford Riegger. Gillespie has called them 'the American Five.'" Stuart Feder (1992). Charles Ives, "my Father's Song": A Psychoanalytic Biography, p.346. Yale. ISBN 9780300054811. Also Feder's ISBN 9780521599313.
    • "The leading authority on Becker--musicologist and pianist Don Gillepsie--reminds us that 'Becker was the first person to promulgate the theory of the "Ives group," or "The American Five," as it is often called today.' This included Ives, Ruggles, Riegger, and Cowell, along with Becker, as a 'center of the experimental movement of the day." Gilbert Chase (1992). America's Music, from the Pilgrims to the Present, p.462. University of Illinois. ISBN 9780252062759.
  • "Becker began insisting that he was one of the 'American Five' great modern composers, placing himself alongside Ives, Ruggles, Cowell, and Riegger." Stephen Budiansky (2014). Mad Music: Charles Ives, the Nostalgic Rebel, p.231. ForeEdge. ISBN 9781611683998.
  • "Then, some years later, Dennis Russell Davies had the notion of organizing the 1980 Cabrillo Music Festival around my thesis-idea of 'The American Five' (Ives-Ruggles-Riegger-Cowell-Becker)." Peter Garland, ed. (1987). A Lou Harrison Reader, p.94. Soundings.
  • "[Riegger and Becker] were grouped with Ives, Ruggles, and Cowell as the 'American Five,'". Elliott Antokoletz (2014). A History of Twentieth-Century Music in a Theoretic-Analytical Context, p.166. Routledge. ISBN 9781135037307.

Initial visibility: currently defaults to autocollapse

To set this template's initial visibility, the |state= parameter may be used:

  • |state=collapsed: {{American Five|state=collapsed}} to show the template collapsed, i.e., hidden apart from its title bar
  • |state=expanded: {{American Five|state=expanded}} to show the template expanded, i.e., fully visible
  • |state=autocollapse: {{American Five|state=autocollapse}}
    • shows the template collapsed to the title bar if there is a {{navbar}}, a {{sidebar}}, or some other table on the page with the collapsible attribute
    • shows the template in its expanded state if there are no other collapsible items on the page

If the |state= parameter in the template on this page is not set, the template's initial visibility is taken from the |default= parameter in the Collapsible option template. For the template on this page, that currently evaluates to autocollapse.

See also

This template treats composition movements as based on common technique and collaboration and composition schools as based on common location, collaboration, and/or education.